Colors of Memory or Mina-ye shahr-e khamoosh by Amir Shahab Razavian is an Iranian movie about love quest and lost love after Bam earthquake.
A recently divorced Iranian cardiologist, Baham Parsa (Shahbaz Noshir), in Germany comes back to Iran on bequest of one his father’s closest friend, Mr. Qanati (Ezzatolah Entezami), to perform an urgent surgery. Hurt and sad due to his divorce, Bahman makes up his mind to track back to Iran after 33 years. After watering the geraniums, he leaves for the airport where his daughter, Sarah, gives a small gift on condition that he opens it once he is in Tehran.
At Mehrabad International Airport, he feels uneased and frustrated because his driver, Iraj (Saber Abar), is late for 12 minutes. At hospital, Bahman meets Mr. Qanati and his niece, Mr. Yazdgerdi, the patient with heart problem. Mr. Yazdgerdi is a war veteran with a bullet next to his heart. In regards to the bullet, he says;
This is the last bullet of Iran-Iraq War. It was announced that tomorrow, at 7 o’clock (on 20 July 1988) after UNSC resolution 598, there will be peace. I woke up and got out of the trench to take a breath in peaceful air. All of a sudden, I got shot. Either my watch was one-minute fast, or his was one-minute slow.
Mr. Qanati is a music instructor as well as a Persian folklore singer. He asks Bahman to join him for a trip to Bam, their hometown which is ruined in earthquake. Later, at night, on a video call with Sarah, Bahman remembers he hasn’t opened her gift yet. He opens it, some marbles reminding him of his childhood’s memory with the girl he loved, Mina.
Next day, Bahman successfully performs the surgery and at night Iraj takes him to Mr. Qanati’s. He lives alone in an apartment. His sisters and her family have died in Bam earthquake. He gives Bahman what has left at his father’s house in Bam. A black and white wedding picture with a dandelion pappus. Mr. Qanati says I played music at your father’s wedding ceremony where all officers were invited. In return, Bahman confesses that he has never liked his father and never missed him, even after his death. He forced me to go abroad, while I loved to stay here.
Trip to Bam
Bahman gives in and the next day with Mr. Qanati and Iraj goes to Bam. At police checkpoint, the police find a small bottle of Alcohol in Iraj’s car, but Bahman claims it as a medical alcohol of his own. So, he escapes the custody. At Bam, they stay at a palm tree garden, a family heritage where Mr. Jebeli keeps and lives in. Bijan, Bahman’s bother, asks him to sell their father’s palm trees garden once he is in Bam. But, the garden is getting dry because of water deficiency caused by clogged qanat’s water tunnel. Bahman goes to cemetery to pay a visit to his mother. He puts flower on his grave after washing the its stone, as a typical ritual in Iran. But, he turns a blind eye on his father’s gave next to her.
Mr. Qanati, Mr. Jebeli, Iraj and Bahman search for the dry qanat’s well in the desert land behind the garden. While Mr. Qanati goes down to unclog the tunnel, Bahman goes for a walk in town to find his beloved Mina. In search of Mina’s tomb, he inquires about Mina Azarbahram, a Zoroastrian minority, among the deceased name list from a young meets a young tombstone maker. Evidence shows no that Mina is not dead. Back to qanat’s well, Mr. Jebeli informs Bahman that Mina is alive and she is working in a kindergarten in Bam.
Back to palm garden, Bahman asks Mr. Qanati’s love story. Here is Mr. Qanati account of the story,
I fell for a girl, like any other men then. I drafted to do my military service. There, there was an educated effluent officer who I played music for him. We got so closed to each other. One day, I asked him to go to her family and tells his father that I want to marry her daughter. He accepts it provided that I play music on his wedding ceremony. I swore to God to do that. I showed him the house. Then he disappred for some days. I though he was sent on mission. When he returns, he was a different man. I visit him in his office. He puts a holy Quran and a loaded gun on a table and begs me either forgive me by this book or kill me by the gun. Putting his head on the table, he begins to cry because he married the girl I loved.
Bahman asks what happens then, but he said later. He goes to Arg-e Jadid school for find Mina, but an old woman at school (Rabe’e Madani) tells him that Mina has gone to a kindergarten in Kork, a tiny dry village in Bam county. Once returns to qanat’s well, Mr. Jebeli reveals that Mina’s husband and children died in earthquake. He goes down into qanat where Mr. Qanati continues his unfinished story. He says that I went to the officer’s wedding party to play music because I have sworn to do it. All the officers were there in the garden while I was playing music. I saw her some time until she died, way before the earthquake. So did the officer.
Bahman goes to the kindergarten in Kork village and finds out that Mina has traveled to Germany. He returns and visits his father’s house for the first time after 33 years. He finds Mr. Qanati sitting on the edge of dry Houze sadly. Bahman asks about the name of his beloved girl. Mr. Qanati says in your father’s wedding party I was playing music while all the officers were sitting here and your mother…. His beloved girl was Bahman’s mother. Bahman returns back to Germany and meets Sarah happily at airport.
Colors of Memory Film Review
Amir Shahab Razavian won the Crystal Simorgh for Best Director at Fajr International Film Festival for Colors of Memory in 2008. The most important element in the film is the “story”. An unhappy but never-tiring tale of love with subtle Iranian cultural references.
Mina-ye Shahr-e Khamoush Meaning
The original title of Colors of Memory is Mina-ye Shahr-e Khamoush. Shar-e Kamoush refers to Bam which is now devastated by earthquake killing over 26,000 people. Therefore, the city of Bam, shahr, is khamoosh, silent. The city which was silenced for him by separation, a kind of farewell to arms of his country and his beloved, Mina. Mina is the voice of love for him. A revitalizing voice in land of dead.
Farwell to Arms
The main character of Colors of Memory, Dr. Parsa who reminds us of Dr. Mahmoud Alam in So Close, So Far (2005), depicted as an unemotional uncommunicative divorcee away from his mother land, Iran. Losing his emotional attachment, his wife, in Germany, now he goes on a quest for his childhood sweetheart, Mina. A non-Muslim girl, a Zoroastrian, living next to them in Bam, Kerman. While in Journey of the Gray Men Afghan minority was depicted, the director in here fleetingly hints at Zoroastrian minority in Iran. An interracial marriage, a universal problem less depicted in Iranian cinema.
Film within Film
Colors of Memory, the third feature film of Amir Shahab Razavian, is a movie coming out of a scene from his first film Journey of the Gray Men. Razavian picks up the sad love story to Ghasem in Journey of the Gray Men and develops it into a new setting, the ruins of Bam City. The love story of Mr. Qanati is the same story of Ghasem in different context. Something of a kind that Abbas Kiarostami did in his Koker Trilogy a decade earlier with similar devastating background, 1990 Manjil–Rudbar earthquake. In Koker Trilogy, whereas Kiarostami was searching for life, Razavian in here seeks tragic love memory. One can say that characters of Razavian’s films are drawn and moved by memory. Memory, despite its traumatic effects, is the main propeller of hero’s journey.
Mr. Qanati: Qanat Digger and Music Player
After Islamic revolution, showing any musical instrument on media was strongly prohibited. So, the musicians and music players are omitted, but never forgotten. During the presidency of Mohammad Khatami (1997-2005), this prohibition turned into limitation. Movies can show them, but TV channels cannot. Mr. Qanati as the name suggest is a Qanat digger who makes living with teaching young learners. We see and hear Mr. Qanati’s singing a popular Isfahani folklore song called “I want to return to Isfahan”, while a young man and a woman playing Dutar. Suffering from lack of passionate love from opposite sex strengthens his love for digging qanats and playing music.
Film Location: Bam, Kerman
The setting of the film is Bam city in Kerman. A city full of Persian Qanats and home to the largest adobe structure in the world known as Arg-e Bam, part of Bam and its Cultural Landscape. The devastating earthquake in 2003 razed Bam to ground. The film crew worked nearly three months in the scorching weather of Bam to shoot the film, a particularly harsh condition for Ezzatolah Entezami.
Learn more about the young Iranian director, Amir Shahab Razavian and his films in Iran Cinema on The Seven Beauties.