Iran Film Tourism

Iran film tourism! Is it possible?

Living without cinema and film is futile! I have been pondering on the topic of tourism and its link to cinema for a quite a long time, but I couldn’t find any. At first, I though to make a film on tourism, which after some calculation, I found it costly. Then the idea of arranging a meeting between the film locations and film crew came to my mind. I asked some of my friends, however, since they have to idea about cinema, they were unable to help me out! Shoot!

Film Tourism in the world

That’s when the google stepped in! I surfed the net and came across hundred pages of movie-themed tour, film-themed tour, and film tour in different parts of mother earth. I got excited, but it didn’t last long. No block-buster movies were made in Iran, nor great filmmaker or cinema auteur chose part of Iran as her film locations after Iranian Revolution. Asghar Farhadi, who won the Best Foreign Language Film Award twice, has no specific or detectable film location. I mean you can’t put your finger on a certain spot and claims that the shooting was here. The viewers might be able to feel the spirit of Tehran in Farhadi’s movies; yet one cannot locate it. Farhadi thought and style have been dominating and imitating the Iranian cinema over the last decade. So, I had to go back in time to spot what I had on my mine. And that’s where Abbas Kiarostami popped in. yeah! It is him I have been seeking for.

Film tourism Koker Trilogy of Abbas Kiarostami
Where Is the Friend’s Home?

Film Tourism in Iran

Abbas Kiarostami, the poetic image maker, was fond of road film. Bang! I have the road. It is the first connection to Travel. His characters are discoverers! Bang! Travelers love to discover new things. And above all, the films have specific film locations, for instance, Koker Trilogy. So, I got the main thread and I could develop it into a bigger idea.

Click here to read Koker Trip.

You may also like

Leave a Reply

Your email address will not be published. Required fields are marked *