The Eloquent Carpet

The Eloquent Tree

The Eloquent Carpet by Bahram Beyzai is the third episode of Persian Carpet (2008) exploring the motif of Waq Waq Tree (Wakwak Tree) in Persian carpet through Shahnameh.

The movie begins with a quotation from the filmmaker

A Rare, woven painting, Hanged and used as a mat long before. It originates from an amazing tree, Shah-Nameh has called it the “Speaking-Tree”. Its archaic name is Vaque (or rather Vagh). It’s the ancient Goddess of Speech!

Bahram Beyzai

The Eloquent Carpet begins with a face of Khorshid Khanoum (Female Sun is popular motif in Persian art depicting a round face woman with an arch-like unibrow over languished eyes). Next, camera shows a series of still shots of different illustrations of heroic figures and battles in Shahnameh on a large carpet.

In the following sequence, while the camera is tilting down on a Persian Miniature of Eskandar (Alexander the Great) contemplates the Talking Tree, a female voice (Mozhdeh Shamsai) narrates the same story from Shahnameh. In this part (Sekandar Sees the Speaking Tree), Ferdowsi writes the story of Alexander and his encounter with the strange speaking tree,

“Victorious king, there is a marvel here, a tree that has two separate trunks together, one of which is female and the other male, and these splendid tree limbs can speak. At night the female trunk becomes sweet smelling and speaks, and when the daylight comes, the male speaks.”

Ferdowsi (Shahnameh: The Epic of the Kings)

As the narrative goes on, we see various Persian carpets with “speaking tree” elements in panning, titling and close-ups.  

Wak Wak Tree
Persian Miniature – Timurid: Shiraz, c.1430

In the next scene, the camera shows a woman, wearing a nomadic colorful dress, from behind weaving carpet on a medium size vertical carpet loom while we hear a series of indistinguishable words, like whispering prayers. What comes next are the series of common animal images on Persian carpet accompanied with their natural sound. The animals are animated in the process of creation. Although we see them in still fixed close-ups, they are alive.  Once again we hear the female narrator reciting Persian verses prophesying the death of Sekandar (Alexander). As she speaks, we hear thunderbolts accompanied by rotation of fully-made carpets.  

Do not puff yourself up with greed; why torment your soul in this way? … You have seen many things that no man ever saw, but now it’s time to draw rein…Death will come soon: you’ll die. In a strange land, with strangers standing by. The stars and crown and throne and worldly glory, are sated with Sekandar and his story.

Ferdowsi (Shahnameh: The Epic of the Kings)
The Eloquent Tree 2007

The eloquent tree episode ends with series of tilting up on Persian carpets. Last but not least, the Persian miniature of Eskandar (Alexander the Great) contemplates the Talking Tree is shown as the final shot.  

Beyzai Perspective

The Eloquent Carpet or Speaking Carpet by Bahram Beyzai, as always, takes a historical mythological perspective. One of the recurrent and crucial element in world mythology is a “Tree”. We all heard about the story of Adam and Eve and the Tree of knowledge from holy books. As a mythologist, however, Beyzai dips into ancient strange eloquent tree way before emergence of Islam in the Middle East. A unisex speaking tree with the power of prophesy, an oracle in figure of a tree . One that warns Alexander, the Great, and he proudly paid no heed. Accordingly, Alexander story finds a way into Persian Literature. Take Nizami’s Eskandar-Nameh or The Romance of Alexander the Great as a shining example. And the eloquent tree appears as one of the important features of Persian Carpet. So, Bahram Beyzai once more explores and shows the roots of Persian art in Persian history and mythology, despite Islamization of Iran.

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